come hai parametrizzato il cerchiio? Non è facile spiegalo!

Inoltre, conosci il famosissimo padiglione museo di Aldo Van Eyck?

Ecco una foto degli interni:

Use one without interface.

Also, at design level: try to emphasize the "X" effect of the structure, it can be more evident, and make the form more stronger!
(I am talking about the base component yu show on point 6. interesting)
But very good post, detailed. It lacks some text, can you improve it? You don't show well how you set the variation, which is the most interesting part!

Bests,

SC

Hi Andreyan, a very well structured process, congrats!
You used reference planes and colors in a very precise and well described way.

Dear SC,

Thank you for your thoughtful feedback and for taking the time to review my work. 

I had some difficulties with uploading the images earlier, which is why I used screenshots. However, I’ve now found a proper way to upload them to the server, and I hope this will make it much easier for you to review.

Thank you again and a Merry Christmas!

Best regards,
Andreyan

1.First creating a reference plane and then family types for the length and width.  

Dear Anastasiia, 

good start! Very balanced composition of type-based shapes and color, not linear.
It is delicate and not automatic. Brava! 
Looking forward to the nexts!
SC

Nell'immagine che hai scelto toglierei di sicuro i livelli : 
tasto destro --> nascondi oggetti per categoria (o qualcosa del genere)

hai messo pochi elementi e scelto una vista frontale per esaltarne il rapporto, è intenzionale non aver messo ombre?

comunque come immagine "di tipo" è una strada interessante, che puoi provare a raffinare ulteiormente
brava comunque per il lavoro di aggiornamento!

SC

Hi Olivia,

I waited to send you feedback, to best analyse the feeling your work was providing.

I guess the issue I feel is related to the fact that the components (base and vertical parts) still belong to different "worlds", they are not really connected, and so their variation, being independent, does not concur to a consistent unity of the composition.

Ciao Elisa,
although in the 2D view it might seem a bit simplistic,
the perspective view has a potential.
Again, you are now all working with more simple schemes, where expressivity is emerging.
In this case, a "thin landscape"
Keep up the good work!

SC

Composizione 2